diff --git a/.github/_config.yml b/.github/_config.yml
index b28afd3..a5c0930 100644
--- a/.github/_config.yml
+++ b/.github/_config.yml
@@ -31,7 +31,7 @@ title: "{B/qKC}"
tagline: a decentralized archive of Black queer Kansas City history
# description appears in meta tags and other locations
# this description might appear in search result lists, keep around 160 characters max
-description: "This is the official database and site for {B/qKC}: an archival project challenging institutional archival practices within the frame and study of midwestern Black queer history."
+description: "This is the official database for {B/qKC}: an archival project challenging institutional archival practices within the frame and study of midwestern Black queer history."
# keywords, a short list of subjects describing the collection, separated by semicolon, to appear in rich markup
keywords: kansas city; history; queer; black
# creator of the digital collection, to appear in meta tags; we typically use our GitHub usernames but feel free to just use your name
diff --git a/_data/config-metadata.csv b/_data/config-metadata.csv
index 0b5180b..755ddfb 100644
--- a/_data/config-metadata.csv
+++ b/_data/config-metadata.csv
@@ -13,3 +13,4 @@ type,Type,,,DCTERMS.type,
format,Format,,,,encodingFormat
language,Language,,,DCTERMS.language,
rightsstatement,,,,DCTERMS.rights,license
+duration (MM:SS),Duration,,,,
diff --git a/_includes/collection-banner.html b/_includes/collection-banner.html
index 73a0d40..094b4bd 100644
--- a/_includes/collection-banner.html
+++ b/_includes/collection-banner.html
@@ -1,70 +1,368 @@
-{% if page.layout == "home-infographic" and site.data.theme.featured-image %}
+{% if page.layout == "home-infographic" %}
+
+{%- comment -%}
+Carousel Banner: rotates through random collection items
+Always shows starlacoll033 first, then shuffles other items
+{%- endcomment -%}
+
+{%- assign carousel_items = "" | split: "" -%}
+
+{%- comment -%} Get specific items in order {%- endcomment -%}
+{%- assign wanted_ids = "starlacoll033,garycoll009,garycoll005,starlacoll019,starlacoll008,tishacoll028" | split: "," -%}
+
+{%- for wanted_id in wanted_ids -%}
+ {%- for item in site.data[site.metadata] -%}
+ {%- if item.objectid == wanted_id -%}
+ {%- assign carousel_items = carousel_items | push: item -%}
+ {%- break -%}
+ {%- endif -%}
+ {%- endfor -%}
+{%- endfor -%}
+
-
+
- VIEW THE ARCHIVE IN PRACTICE →
-
+ href="https://1800nasi.net/category/bqkc/"
+ title="Main domain to view exhibitions, programs and media features of {B/qKC}">
+ VIEW THE ARCHIVE IN PRACTICE →
+
+
+ {%- comment -%} Carousel slides {%- endcomment -%}
+ {%- for item in carousel_items -%}
+
"Plainly put, the far right is erasing Blackness from the fabrics of America, so historical collection can no longer be a passive process; it must be applied radically."
@@ -76,11 +76,13 @@ We aim for Black queer stories to occupy public spaces physically and digitally
###### Nasir Anthony Montalvo, *Founder*
-Nasir Anthony Montalvo (b. 1999) is an essayist and memory worker based in Kansas City, MO, and the Founder of {B/qKC}. Montalvo's work has been exhibited locally and nationally in coffee shops, book stores, community fairs and artist galleries. Their art and archival research has also been published in NPR, Syllabus, Sixty Inches From Center, The Advocate, Teen Vogue and KC Studio; along with being used in curricula at Johns Hopkins University, Columbia University and the North Kansas City School District.
-
-Montalvo holds a 2024-2026 studio residency at Charlotte Street; and has been awarded fellowships and artist grants with The Opportunity Agenda, Diaspora Solidarities Lab, Gray Area and ArtsKC. They earned their Bachelor of Science from Stevens Institute of Technology in 2021.
-
-Montalvo is queer, Afro-Borincane, and from Kissimmee, Florida.
+
+
Nasir Anthony Montalvo (b. 1999) is an essayist and memory worker based in Kansas City, MO, and the Founder of {B/qKC}. Montalvo's work has been exhibited locally and nationally in coffee shops, book stores, community fairs and artist galleries. Their art and archival research has also been published in NPR, Syllabus, Sixty Inches From Center, The Advocate, Teen Vogue and KC Studio; along with being used in curricula at Johns Hopkins University, Columbia University and the North Kansas City School District.
+
+
Montalvo holds a 2024-2026 studio residency at Charlotte Street; and has been awarded fellowships and artist grants with The Opportunity Agenda, Diaspora Solidarities Lab, Gray Area and ArtsKC. They earned their Bachelor of Science from Stevens Institute of Technology in 2021.
+
+
Montalvo is queer, Afro-Borincane, and from Kissimmee, Florida.
+
+
Anevay Martz is a junior Sociology major at the University of Missouri–Kansas City, with a double minor in Communications and Race, Ethnic and Gender Studies. As {B/qKC}'s first Intern in 2025. Digitization Intern, Martz helped develop the archive’s Digital Asset Register (DAR) that is being used to power this website, alongside getting Soakie's listed as a historical landmark on Clio.
+
@@ -106,7 +110,9 @@ Anevay Martz is a junior Sociology major at the University of Missouri–Kansas
###### Eden Barnes, *Community Engagement Intern, Fall 2025*
-Eden is a graduate of the University of Missouri Kansas City, with a BA in Sociology with an emphasis in Cultural Anthropology, and a minor in Race, Ethnic, and Gender Studies. As Community Engagement Intern, Eden aided {B/qKC} with day-to-day tasks and the launch of {B/qKC}'s new site.
+
+
Eden is a graduate of the University of Missouri Kansas City, with a BA in Sociology with an emphasis in Cultural Anthropology, and a minor in Race, Ethnic, and Gender Studies. As Community Engagement Intern, Eden aided {B/qKC} with day-to-day tasks and the launch of {B/qKC}'s new site.
+
---
## Our history
@@ -135,6 +141,6 @@ Since 2022, {B/qKC} has launched at least two public exhibitions per year, and e
{% include cb/credits.html %}
-
+
Learn more about what's powering this site on "Our Data" page!
\ No newline at end of file
diff --git a/pages/collections/collection-gary.html b/pages/collections/collection-gary.html
index 7dcf306..fc7fb14 100644
--- a/pages/collections/collection-gary.html
+++ b/pages/collections/collection-gary.html
@@ -27,7 +27,7 @@ Gary Carrington (he/him/his) is referred to as a “pillar” in Kansas City’s
{% if featured.identifier %}
+
\ No newline at end of file
diff --git a/pages/data.md b/pages/data.md
index 4efd6f4..b30d740 100644
--- a/pages/data.md
+++ b/pages/data.md
@@ -20,7 +20,7 @@ In accordance with our [mission](/about/), {B/qKC} aims to be the true steward o
Rather than relying on a third-party service like Google, DropBox, or Squarespace–with rising costs for usage, ethical concerns around our data and their damaging corporate practices–we've chosen to build this site using **open, decentralized and self-hosted infrastructure**.
-
+
A very special thank you to Gray Area, TechSoup and FileCoin Foundation and their Cultural Memory Lab for teaching us a lot about DWeb technology and making this all possible. Learn more about the program on their website.
@@ -33,7 +33,7 @@ Need to share something online? You Tweet or Instagram it.
Need to store something? You upload them to an arbitrary "cloud."
-
+
“The platforms that host our networked public sphere and inform us about the world are unelected, unaccountable, and often impossible to audit or oversee.”
@@ -142,7 +142,7 @@ This means no Amazon Web Services, no Google Cloud, no third-party entity quietl
By choosing to host this website on our server, we get to control how this site operates, how data is handled, and stay accountable to the people whose stories live here.
-
+
GOOD TO KNOW: {B/qKC} uses the 3-2-1-1-0 preservation strategy: meaning there are 3 copies of all our archival materials (2 of these on IPFS and our server), stored on 2 different types of media, with 1 copy off-site, 1-copy offline, and all with 0 backup errors.
Thank you to Astringent Press, Oddities Prints, Plot Twist Consulting, BLK + BRWN., PH Coffee, Waterbird Coffee, and Café Corazón who have offered in-kind support to this work!
+
-*Thank you to Astringent Press, Oddities Prints, Plot Twist Consulting, BLK + BRWN., PH Coffee, Waterbird Coffee, and Café Corazón who have offered in-kind support to this work!*
---
diff --git a/pages/read/erasure.md b/pages/read/erasure.md
index 689bcde..d8da07e 100644
--- a/pages/read/erasure.md
+++ b/pages/read/erasure.md
@@ -84,7 +84,7 @@ Kansas City's Pride Festival (now run by the Kansas City Community Pride Allianc
In conjunction with loss of spaces, we also must examine how sexual desire has served in the oppression of Black queer Kansas Citians.
-The Black gay male community of Kansas City, particularly, suffers from this sexual exploitation----as can be seen in the case of the organization, Black-White Men Together-Kansas City (BWMT-KC). Founded by Michael J. Smith in 1980, the National Association of Black and White Men Together (NABWMT) was expressely founded for white gay men to more easily find Black men to have sex with[^15](https://kansascitydefender.com/lgbtqia2/the-erasure-and-sexual-subjugation-of-black-queer-kansas-citians-a-brief-historical-look/#38315f38-0d39-4b4c-b736-a237630ff5dc)^. Smith was described by his peers to be an 'interracialist', believing that Black men were more well-endowed; he would face vitriol in the media for his comments and actions. Despite this, chapters of the organization opened across the nation, including in Kansas City. The local chapter was able to accomplish a great deal in pushing sex education and creating systems of support for gay men, at large----but part of the violence faced by Black queer men is sexual exploitation, which includes fetishization based on race.
+The Black gay male community of Kansas City, particularly, suffers from this sexual exploitation----as can be seen in the case of the organization, Black-White Men Together-Kansas City (BWMT-KC). Founded by Michael J. Smith in 1980, the National Association of Black and White Men Together (NABWMT) was expressely founded for white gay men to more easily find Black men to have sex with[^15]. Smith was described by his peers to be an 'interracialist', believing that Black men were more well-endowed; he would face vitriol in the media for his comments and actions. Despite this, chapters of the organization opened across the nation, including in Kansas City. The local chapter was able to accomplish a great deal in pushing sex education and creating systems of support for gay men, at large----but part of the violence faced by Black queer men is sexual exploitation, which includes fetishization based on race.
Similarly to the loss of Black queer space, this sexual violence and the need to feel desired limits access to new futures. Desirability ultimately creates a cycle that seeks not to end white supremacy, but to further it by developing unattainable standards (e.g. sexual endowment) and unwritten codes (e.g. hyper-masculinity) that create power structures amidst Black queer men in competition of the white male gaze. To end white supremacy is to put an end to this sexual desire; and to eradicate the tools by which white men use to subjugate Black queer men to (sexual) dependence.
@@ -96,7 +96,7 @@ There exists a paradigm in Kansas City's queer community: wherein Black queer Ka
*I encourage folks looking to create new Black queer futures to read more pedagogy (Frantz Fanon, Da'Shaun L. Harrison, James Baldwin), join local movements for abolition (such as the Reale Justice Network and the Kansas City Defender), and protest rainbow capitalism by holding your own Pride protests and, both, in-and-out of June. If you're not, both, Black and queer, I implore you to seek out Black queer folk, listen to them, and fulfill their needs: donate to gender-affirming surgery funds, bail out Black queer folk in jail, organize against criminalization of queerness, and create true systemic change--rainbow crosswalks will not save you nor I.*
-
+
An abridged version of this essay, titled "The Unseen Struggles: Erasure and Racial Inequities in Kansas City's Queer Community," was originally published in the Urban League of Greater Kansas City's 2023 State of Black Kansas City | FROM REDLINING TO CHALK LINES: THE COSTS OF ECONOMIC INJUSTICE. The report can be found on their website.
diff --git a/pages/read/mact-kc.md b/pages/read/mact-kc.md
index 11a3ee2..e0e9827 100644
--- a/pages/read/mact-kc.md
+++ b/pages/read/mact-kc.md
@@ -409,7 +409,7 @@ MACT-KC co-chairs ranging from 1987-1993 pose for a photo. From top left to top
-
+
“A very special thank you to UMKC's Gay-Lesbian Archives of Mid-America and its Director, Stuart Hinds, for helping gather information on Men of All Colors Together-Kansas City; and serving as a cornerstone for queer Kansas City history.”
diff --git a/pages/read/out-there.md b/pages/read/out-there.md
index c3edba1..c835581 100644
--- a/pages/read/out-there.md
+++ b/pages/read/out-there.md
@@ -204,7 +204,7 @@ According to a July 11, 1994 article by AP News, however, [the Amendment Coaliti
[Lea Hopkins](https://libweb.umkc.edu/GLAMA/oral-histories-moreinfo/38) has been an instrumental Black, Lesbian organizer in Kansas City for decades. Hopkins was behind the first Gay Pride Parade in Kansas City in 1979, and [43 years later was a Grand Marshall for Kansas City's Pride Alliance Parade earlier this year](https://www.instagram.com/reel/CjsbDmpDkrV/?utm_source=ig_web_copy_link). Because of her work, she has undoubtedly pushed acceptance for Black Queer people to once unthinkable heights in the Midwest. Hopkins' role on Out There was to serve as a spokesperson for GLAAD, presumably because of her extensive involvement with the organization.
-
+
Listen to Lea Hopkins' interview with Austin R. Williams, as part of GLAMA's Oral History project, as she discusses her early days, moving to New York and becoming involved with Christopher Street, and organizing the first Gay Pride Parade in Kansas City.
diff --git a/pages/read/soakies.md b/pages/read/soakies.md
index a7cbfcc..87ae6fc 100644
--- a/pages/read/soakies.md
+++ b/pages/read/soakies.md
@@ -89,7 +89,7 @@ If you are the copyright holder and feel for any reason that your work has been
## Vol_2 of {B/qKC}: Soakie's
-
+
“After everything is said and done, Soakies was home.”
— Baby Boi, 2023
@@ -180,7 +180,7 @@ It was this same sentiment that would lead Colston and his good friend Eric Robi
According to Colston and Robinson, Rinaldo was getting ready to close his shop around the same time Soakie's was becoming a pregame spot for Black queer people in the '90s. The three of them had established a friendly rapport in light of this. In fact, Robinson notes that Rinaldo treated him and the community with kindness and was extremely supportive.
-
+
“We don't have nowhere to go.”
— Jerry Colston, 2023
@@ -273,7 +273,7 @@ Across 1308 Main Street was a large parking lot that became a hangout spot for B
This would become an issue, though, as it drew away from the capital Soakie's owners were receiving, and was also the source of a lot of violence.
-
+
† There are currently no photos available in the public domain, or as donated to {B/qKC}, that capture festivities in the parking lot across from Soakie's. If you are in possession of any relevant photographs or material and would like to contribute to this article (and archive, overall) please contact Nasir Montalvo.
@@ -302,7 +302,7 @@ It wouldn't be that long before Baby Boi became part of the view. Baby Boi would
To my surprise, Baby Boi's DJing career didn't officially start until 2017–and it seems a perfect continuation from performing for, as Baby Boi puts it, "if [they] can give people a good time or experience, let's do it."
-
+
‡Baby Boi references the late-haunted house, Main Street Morgue: located on 1325 Main Street from the 1970s to the early 00s. The business was shut down as part of the Power & Light Development.
§Descriptions of Kansas City's Ballrooms Scene are purposely meant to be ambiguous as to protect a well kept tradition of Kansas City's Black queer community.
@@ -331,7 +331,7 @@ Above all, though, Starla has been an instrumental support system for those arou
It is with great honor that I welcome her collection to {B/qKC}.
-
+
The "starla_carr_collection" is one of the inaugural collections digitized and donated to {B/qKC}. The collection consists of various photos from Carr's time as a seamstress, performer and go-er of Soakies in the early 2000s.
@@ -360,7 +360,7 @@ Outside of Soakie's, Taylor has made a huge impact on the local Black LGBTQ+ sce
It is with great honor that I welcome her collection to {B/qKC}.
-
+
The “tisha_taylor_collection” is one of the inaugural collections digitized and donated to {B/qKC}. The collection consists of various photos from Taylor’s time at Soakie’s and Kansas City’s Black Pride in 1999.
@@ -393,7 +393,7 @@ Similar to Taylor's sentiments, Carrington was not only instrumental in providin
It is with great honor that I welcome his collection to {B/qKC}.
-
+
The “gary_carrington_collection” is one of the inaugural collections digitized and donated to {B/qKC}. The collection consists of various photos from Carrington’s time at Soakie’s, as well as clippings from KC Exposures.